Kate Wight Tyler Conservator Brooklyn Museum Brooklyn, NY, USA Previous Next All members MEMBER INFORMATION ABM CONFERENCES ABM 2023 Participant Art Bio Matters 2023 Conference Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

Marc Walton Co-Director of the Center for Scientific Studies in the Arts Research Professor Northwestern University Evanston, IL, USA Previous Next All members MEMBER INFORMATION Marc Walton is the co-Director of the Center for Scientific Studies in the Arts (NU-ACCESS) and Research Professor of Materials Science at Northwestern University. At NU-ACCESS, he leads multiple scientific research projects to investigate art objects in collaboration with cultural heritage institutions representing a broad spectrum of disciplines (from anthropology to contemporary art) and geographical reach (both U.S. and internationally). Professor Walton's principal area of research focuses on the trade and manufacture of objects, and on developing imaging technologies in the field of conservation science, resulting in over 100 peer-reviewed articles ABM CONFERENCES ABM 2023 Team Presenter A multimodal approach to the study of human-derived materials in contemporary artwork Co-authored with Lynn Lee, Alessandra Guarascio and Chan Oi Yan Michelle. Read the Abstract. Explore Full Abstract ABM 2021 Participant Art Bio Matters 2021 Virtual Conference Explore Full Abstract ABM 2018 Steering Committee Art Bio Matters 2018 Conference Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

OPPORTUNITIES Events Fellowships Funding Internships Jobs Studentships Mentorship Workshops + Courses Categories MENTORSHIP Need guidance or willing to share your expertise? Find a mentor or be one! Coming Soon

Francesca Galluzzi Postdoctoral Researcher University of Bordeaux Bordeaux, France Previous Next All members MEMBER INFORMATION Dr Francesca Galluzzi is a postdoctoral Fellow at the University of Bordeaux. Her BSc and MSc degree were in Science for Cultural Heritage analysis (University of Venice and Bologna). She earned her PhD in Chemical Science from the University of Bordeaux in 2021. The doctoral project was part of the Marie Skłodowska-Curie European Training Network TEMPERA, and it was focused on the development of new methodologies based on mass spectrometry for the analysis of proteinaceous compounds in different artistic materials. Her research interests include the characterisation of proteins collected at the trace level (following the bottom up and top-down approaches) and the investigation of chemical and structural modifications induced in proteins by processes of ageing and degradation (particularly cross-linking formations). ABM CONFERENCES ABM 2021 Poster Presenter Hydrogen deuterium exchange mass spectrometry to elucidate reticulations, interactions and conformational changes of proteins in tempera paintings Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS Francesca Galluzzi, Stéphane Chaignepain, Julie Arslanoglu, Caroline Tokarski Hydrogen deuterium exchange mass spectrometry to elucidate reticulations, interactions and conformational changes of proteins in tempera paintings Little is known about structural alterations of proteins within the polymeric films of paints. For the first time, hydrogen‑deuterium exchange mass spectrometry (HDX-MS) was implemented to explore the conformational alterations of proteins resulting from their interaction with inorganic pigments within the early stages of the paint film formation. Intact protein analysis and bottom-up electrospray-ionisation mass spectrometry strategies combined with progressively increasing deuterium incubation times were used to compare the protein structures of the model protein hen egg-white lysozyme (HEWL) extracted from newly dried non-pigmented films and newly dried films made from a freshly made mixture of HEWL with lead white pigment (2PbCO3 Pb(OH)2). The action of other pigments was also investigated, expanding the HDX study with a global approach to paint models of HEWL mixed with zinc white (ZnO), cinnabar (HgS) and red lead (Pb3O4) pigments. The results show structural modifications of HEWL induced by the interaction with the pigment metal ions during the paint formulation after drying and prior to ageing. Both the charge distribution of HEWL proteoforms, its oxidation rate and its deuterium absorption rate, were influenced by the pigment type, providing the first insights into the correlation of pigment type/metal cation to specific chemistries related to protein stability. Explore Catherine Gilbert, Vaclav Krupicka, Francesca Galluzi, Aleksandra Popowich, Stéphane Claverol, Julie Arslanoglu, Caroline Tokarski Species identification of ivory and bone museum objects using minimally invasive proteomics Ivory is a highly prized material in many cultures since it can be carved into intricate designs and have a highly polished surface. Due to its popularity, the animals from which ivory can be sourced are under threat of extinction. Identification of ivory species is not only important for CITES compliance, it can also provide information about the context in which a work was created. Here, we have developed a minimally invasive workflow to remove minimal amounts of material from precious objects and, using high-resolution mass spectrometry–based proteomics, identified the taxonomy of ivory and bone objects from The Metropolitan Museum of Art collection dating from as early as 4000 B.C. We built a proteomic database of underrepresented species based on exemplars from the American Museum of Natural History, and proposed alternative data analysis workflows for samples containing inconsistently preserved organic material. This application demonstrates extensive ivory species identification using proteomics to unlock sequence uncertainties, e.g., Leu/Ile discrimination. Explore

ABOUT ABM Get in Touch Join the Community WHO WE ARE Art Bio Matters (ABM) is a dynamic and expanding gathering of curators, cultural historians, conservators, and scientists dedicated to exploring diverse research methodologies, perspectives, and objectives in the study of biological materials within cultural heritage collections. Here, your unique viewpoint is highly valued, whether you aim to enhance preservation, deepen analysis, or enrich interpretation. While rooted in the core disciplines of science, curatorial practice, and conservation, ABM enthusiastically embraces all participants interested in the exploration of cultural heritage studies. WHAT WE DO Art Bio Matters takes proactive steps to foster and empower a vibrant community of curators, cultural historians, conservators, and scientists through various platforms including a dedicated website, Slack workspace, and biannual gatherings. At artbiomatters.org, you can freely access educational resources, discover exciting opportunities, delve into descriptions of advanced scientific methodologies such as DNA analysis, mass spectrometry, and antibody-based techniques, explore historical and conservation materials, ponder open-ended research inquiries, and engage with emerging ethical considerations, among other offerings. We extend a warm invitation for you to join us, embark on a journey of exploration and learning, and share your invaluable expertise. As our website continues to evolve, we eagerly welcome suggestions and contributions to ensure that we effectively cater to the needs of our growing community. WHAT WE BELIEVE We believe that the identification and understanding of biological materials within collections is best achieved through active education and collaboration. In pursuit of this vision, Art Bio Matters (ABM) is guided by foundational principles that underpin our mission: Embrace the inclusive participation of specialists across all three disciplines—curatorship/cultural history, conservation, and science 1 2 3 4 Conduct candid evaluations of past projects, considering both logistical and aspirational aspects, to effectively prioritize crucial areas of study and optimize resource allocation. Cultivate curiosity, respect, and recognition for the invaluable contributions of each discipline to the field of cultural heritage studies. Foster an open environment in which the value of data from scientific analysis for non-scientific audiences is both debated and shared. By joining ABM, you gain access to our vibrant Slack workspace—a hub where you can connect with fellow members, engage in discussions on diverse topics, share noteworthy research findings, explore job opportunities, and stay informed about upcoming events. Additionally, you will receive exclusive invitations to our esteemed speaker series and updates regarding our highly anticipated biannual conferences. HISTORY OF ART BIO MATTERS Thanks to funding provided by the Richard Lounsbery Foundation, ABM organized the first meeting of its kind to purposefully bring together a balanced group of science, conservation, and curatorial/cultural history representatives for open discussion and debate about the contributions of advanced DNA, proteomic, and antibody‐based techniques to the study of biological materials found in cultural heritage collections. This innovative, by-invitation-only meeting, which brought together 40 international specialists was co-hosted by the Metropolitan Museum of Art and New York University. The ABM 2018 meeting was inaugurated by a public plenary session, Biological Material Matters in Works of Art, presented by Dr. Barbara Berrie , Head of Scientific Research, National Gallery of Art, Washington. Eight speakers were selected by a nine-person ABM 2018 Steering Committee to address pre-determined topics, including instrumentation, sampling techniques, and relevance to the information desired by conservators, historians, and curators. ABM 2018 resulted in the emergence of a cohesive and enthusiastic community, as well as the original artbiomatters.org website. It also accentuated the essential role of collaborative deliberations to maximize efforts to study, interpret, present, and preserve material cultural heritage. Advancements since 2018 have only reinforced the need for communication and continued discourse among all stakeholders. Engaging Dialogue Connection + Partnership Community Driven Why join the Art Bio Matters community? Members of the ABM community enjoy many benefits, regardless of their area of interest. Our website and Slack workspace have something for everyone: Access ABM 2018, 2021, and 2023 conference recordings and background materials. Anchor 1 Communicate through the ABM Slack workspace Connect with colleagues, discuss research questions, and network in the ABM Slack community. Visit our Join the Community tab for more information. Join the Community Participate in an ABM meeting ABM has biannual conferences sharing ongoing research through a dynamic forum of exchange. Visit the ABM Meetings tab for more information. ABM Meetings Build the ABM website We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested to do any of the following: Share a project Give a talk Provide a link to your publications, projects, or Opportunities to share with potential partners. Present an update on current projects through ABM's webinar lecture series. Educate and reach out Provide a link to a case study or video that applies to our Materials, Instrumentation, Ethics, and Sampling pages. Join and Help Build Art Bio Matters!

OPPORTUNITIES Events Events Fellowships Fellowships Funding Funding Internships Internships Jobs Jobs Studentships Studentships Mentorship Mentorship Workshops + Courses Workshops + Courses FUNDING Search for grants, awards, and other funding opportunities. There are no current active opportunities to show today! If you have something you'd like to share, please send it to info@artbiomatters.org so we can upload it. Marie Skłodowska-Curie Actions Deadline Explore Institute of Museum and Library Services Deadline Explore National Endowment for the Humanities Deadline Explore National Science Foundation Deadline Explore The Richard Lounsbery Foundation Deadline Explore

COMMUNITY Projects Publications Member Events Members MEMBER EVENTS Member events are specially organized by Art Bio Matters member and volunteers. They are intended to strengthen connections between members and help them find new colleagues to discuss research questions and concerns. Depending on the format, members will present current research projects, share open questions, and lead exchanges of information where the main goal is to improve the ways in which we understand biological materials in material heritage culture. The following are members-only events. Registration links will be sent directly to ABM members through Slack and Email. SEMINAR SERIES Join us for monthly informal presentations on topics in biological material studies integrating science with conservation, history, culture, and/or other human sciences. Seminars take place every third Thursday and feature a 20-minute presentation by the speaker(s), followed by lively discussion with ABM community members. This platform allows you to share your area of interest, ongoing project, or seek collaboration outside your field. Submissions are reviewed continuously. Can't attend live? Recordings are available for one month to ABM members. When mould is a museum visitor – xerophilic fungal growth challenges environmental recommendations for heritage collections To play, press and hold the enter key. To stop, release the enter key. Camilla Jul Bastholm In the last decade, extensive fungal growth has developed in Danish museums parallel to climate change challenging occupational health and heritage preservation. The growth was unexpected as the museums controlled relative humidity below 60 %, according to international environmental recommendations for heritage collections. Only heritage artefacts were affected, there was no growth on building constructions, interior and museum boxes. A cross-sectional study using a multiple detection approach found that the culprits were extremophilic xerophilic fungal species able to grow at low relative humidity, which is most unusual for fungi... Find out more at the seminar! Thursday, December 5, 2024 11:00 am ET Learn more ROUND TABLE Q&A round tables offer a unique opportunity to tap into the expertise within our diverse community. A small group of ABM members will each share current or on-going questions related to the biological materials of an object(s) in a brief (5-minute) description or presentation. This is followed by dynamic discussions with attendees, fostering knowledge exchange, brain storming, and opportunities for collaboration. ABM March 2024 Round Table To play, press and hold the enter key. To stop, release the enter key. Thainá Vígio Pamela Hatchfield Michael Galardi Thainá Vígio is seeking other fungicide methods other than freezing and anoxia treatment for 19th c. silk textiles. Pamela Hatchfield will discuss an outdoor Chinese sandstone sculpture compromised by a myriad of microbiological growth, and how to evaluate the risk of further damage from these species. Micheal Galardi (on behalf of Celeste Mahoney) will discuss light spots uncovered on a Huastec sandstone relief and wonders about the possibility of biological growth as a factor. Thursday, March 21, 2024 11:00 am ET ABM MEMBER CONVERSATIONS These informal conversations will explore the cross-disciplinary collaboration and research opportunities that define ABM. They aim to enhance our understanding of the diverse roles held by ABM members, spur collaborations, try out ideas, and explore new areas of study. Each conversation features two members, each from a different specialty (e.g., a curator and a scientist), who have not collaborated but have overlapping but not identical research interests. They will engage in a conversation based on three questions for each other, followed by audience discussion and questions. ABM Member Conversations - October 2024 To play, press and hold the enter key. To stop, release the enter key. Ilaria Serafini & Juliet Graver Istrabadi Investigating ancient textiles - Where do you even start? Join us for a conversation between a curator and a scientist on the analysis of ancient textiles. Thursday, October 24, 2024 11:00 am ET OTHER WAYS TO PARTICIPATE ABM members get to participate in a variety of ways. Don't miss your chance to network! Why join the Art Bio Matters community? Members of the ABM community enjoy many benefits, regardless of their area of interest. Our website and Slack workspace have something for everyone: Communicate through the ABM Slack workspace Connect with colleagues, discuss research questions, and network in the ABM Slack community. Visit our Join the Community tab for more information. Join the Community Participate in an ABM meeting ABM has biennial conferences sharing ongoing research through a dynamic forum of exchange. Visit the ABM Meetings tab for more information. ABM Meetings Build the ABM website We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested to do any of the following: Share a project Provide a link to your publications, projects, or Opportunities to share with potential partners. Educate and reach out Provide a link to a case study or video that applies to our Materials, Instrumentation, Ethics, and Sampling pages. Anchor 1 Why join the Art Bio Matters community? Members of the ABM community enjoy many benefits, regardless of their area of interest. Our website and Slack workspace have something for everyone: Access ABM 2018, 2021, and 2023 conference recordings and background materials. Join us and become a part of the ABM c ommunity

OPPORTUNITIES Events Events Fellowships Fellowships Funding Funding Internships Internships Jobs Jobs Studentships Studentships Mentorship Mentorship Workshops + Courses Workshops + Courses FELLOWSHIPS Advance your research skills - and jump start your career! There are no current active opportunities to show today! If you have something you'd like to share, please send it to info@artbiomatters.org so we can upload it. Art Bridges Fellow Deadline No posted end date This Art Bridges Fellow position offers a motivated individual the opportunity to gain curatorial and museum education experience in an art museum. The Art Bridges Fellows Program is dedicated to creating diverse museum leadership with a national cohort of emerging professionals and mentors. With its partner museums, the foundation will establish deep career pathways for historically underrepresented groups in the arts. Explore Kress Fellow, Conservation Deadline No posted end date Participate in the physical care, preservation, and conservation treatment of the Indiana Historical Society (IHS) Collection and selections from The Remnant Trust collection, which include a wide range of paper-based special collections and archival materials. Explore Call for Curators Fellowship Opportunities Deadline Call for Curators Job Opportunity Hub - Please note this is a members only job board. Explore Conservation Fellowship Deadline Dec 1, 2024 12:00 AM There are two types of Conservation Fellowships: junior and senior. Junior fellows work closely with Met staff to receive training in scientific research and conservation practices. Senior fellows work on a specific research project that makes use of the Museum's collection and/or resources. Explore Mellon Foundation Native American Scholars Initiative (NASI) Postdoctoral Fellowship Deadline Jan 1, 2025 12:00 AM This 12-month fellowship is intended for a recent doctoral graduate, a professor at any level seeking sabbatical support for a research project, or an independent postdoctoral scholar working closely with an Indigenous community on a project. Applications are open to scholars in any field and all periods of time. Preference will be given to those who have sustained personal engagement or experience with Indigenous communities. This opportunity is closed for 2024, but will reopen annually. Explore Mellon Foundation Native American Scholars Initiative (NASI) Predoctoral Fellowship Deadline Jan 1, 2025 12:00 AM This 12-month fellowship is intended for an advanced doctoral degree student working toward the completion of the dissertation. Applications are open to scholars in any field and all periods of time. This opportunity is closed for 2024, but will reopen annually. Explore John C. Slater Predoctoral Fellowship in the History of Science, Technology, and Medicine Deadline Jan 1, 2025 12:00 AM This yearlong fellowship is offered to advanced Ph.D. students working on topics related to the history of science, technology, and medicine. This opportunity is closed for 2024, but will reopen annually. Explore Friends of the APS Predoctoral Fellowship Deadline Jan 1, 2025 12:00 AM The American Philosophical Society's Library & Museum in Philadelphia seeks applicants for a one-year, residential fellowship for a graduate student working on topics in all fields who show a demonstrated need to use the Library & Museum’s collections for their project. The 12-month fellowship is intended for advanced Ph.D. students working toward the completion of the dissertation. This opportunity is closed for 2024, but will reopen annually. Explore Winterthur Postdoctoral Fellowship Deadline Jan 15, 2025 12:00 AM Applicants at any level or rank who have completed their Ph.D. by the start of their residency may apply for a four-month fellowship to pursue advanced research or revise research for publication. Explore Engen Conservation Fellowship Deadline Feb 15, 2025 12:00 AM The Engen fellowship will introduce the candidate to conservation techniques for a wide range of composite objects, metals, organic materials, and painted surfaces. This fellowship is intended to contribute to the education of recent graduates by allowing them to delve into the complexities of working with modern composite materials, refine treatment process, learn management, and conduct a small-scale research project. The Fellow's independent research will be derived from our diverse collection materials. Fellows will be encouraged to publish or present their research at the end of their tenure. This opportunity is closed for 2024, but will reopen annually. Explore Short-Term Resident Research Fellowships Deadline Mar 1, 2025 12:00 AM One- to three-month fellowships are available for Ph.D. candidates, holders of the Ph.D., and degreed independent scholars, within any field of study that requires using the collections of the APS's Library & Museum. This opportunity is closed for 2024, but will reopen annually. Explore Mellon Foundation Native American Scholars Initiative (NASI) Digital Knowledge Sharing Fellowships Deadline Mar 1, 2025 12:00 AM These short-term fellowships support university- and community-based scholars working on digital projects that connect archives and Indigenous communities. This opportunity is closed for 2024, but will reopen annually. Explore Fellowships at the Smithsonian Deadline Smithsonian fellowships are offered to individuals who design and develop proposals to conduct independent research in fields pursued by and of interest to the Institution. Fellowships differ from internships, which are prearranged supervised learning experiences which take place in a specific timeframe. Explore

RESOURCES Glossaries + Databases Glossaries + Databases Reference Materials Reference Materials Scientific Resources Scientific Resources Videos + Lectures Videos + Lectures Journals + Publications Journals + Publications Coming Soon Explore instructional videos and presentations created by our ABM members. If you have a video or slide deck to share, please email info@artbiomatters.org . VIDEOS + LECTURES (Bio)art and ecologies of the non/living University of Birmingham Visual artist Emanuela Cusin (Wysing Arts Centre, Cambridge (UK)) and philosopher Dr Marietta Radomska (Research Fellow in Environmental Humanities, Linköping University (SE)) present their artistic and philosophical engagements with the matter(s) - and materialisation - of (bio)art and ecologies of the non/living. They do so against the backdrop of these more-than-human crisis times that are afflicted by political and pandemic violence, (counter)terrorist acts and events, and processes of mourning, trauma, and commemoration. Explore Videos + Lectures Arsenic in collections American Institute for Conservation: Connecting to Collections Care If you have suspicions that arsenic may be present in your collection, this webinar will review methods for detection, personal protective equipment, and how to work with these collections safely and effectively. Examples of the types of objects that contain arsenic, either through application of residual pesticides or by manufacture, include medicinal kits, geological specimens, dyed textiles, Indigenous materials with a museum history, and natural history specimens. This webinar builds from the Connecting to Collections, 2016’s “Arsenic and Old Lace: Controlling Hazardous Collection Materials” and will include and expand pertinent information. Explore Videos + Lectures Conserving contemporary art Harvard Art Museums Narayan Khandekar, director of the Straus Center for Conservation and Technical Studies and senior conservation scientist, and Angela Chang, assistant director and conservator of objects and sculpture, discuss the various issues that arise in conserving contemporary art . In particular, they focus on how Doris Salcedo, as evidenced in her works in the current special exhibition "Doris Salcedo: The Materiality of Mourning," takes a seemingly impossible idea and makes it a reality... Explore Videos + Lectures Everywhen: The Eternal Present in Indigenous Art Harvard Art Museums With works drawn from public and private collections in Australia and the United States, Everywhen: The Eternal Present in Indigenous Art from Australia explores the ways in which time is folded into Indigenous, artistic, social, historical, and philosophical life. The exhibition features many works never seen outside Australia... Explore Videos + Lectures Icon Heritage Science Group and the National Heritage Science Forum The Institute of Conservation (ICON) The Icon Heritage Science Group and the National Heritage Science Forum ran a series of four informal, virtual short seminars to showcase the research of emerging heritage science researchers and students as well as provide career insights from established specialists in this field... Explore Videos + Lectures Investigating Ancient Textiles - Where do you even start? How do you start investigating ancient textiles, when you are not even sure where to start? This is recording of the Art Bio Matters Member Conversations Event recorded in October 2024, with the participation of members Ilaria Serafini and Juliet Graver Istrabadi. Explore Videos + Lectures Leather Use in Treatment American Institute for Conservation The 2022 Annual Meeting session on Leather Use in Treatment was held October 7, 2022. Panelists include Holly Herro, Kristi Wright, William Minter, and Katie Wagner. This video covers leather making and use from a craft, conservation, and curatorial perspective. Explore Videos + Lectures The ISAAC Mobile Lab The Institute of Conservation (ICON) This talk gives an overview and highlights of the latest developments through example ISAAC Mobile Lab activities, from participation in providing access through IPERION HS MOLAB around Europe to UK based activities, and from in situ investigation of wall painting to manuscripts... Recorded on 23 November 2022 Explore Videos + Lectures The Poison Book project American Institute for Conservation: Connecting to Collections Care The Poison Book Project investigates potentially toxic heavy metals used in 19th-century, mass-produced Euro-American bookbindings, a common object type found across small and mid-sized institutions. This webinar will share practical advice on how to identify these potentially toxic books, as well as health and safety recommendations institutions large and small can use when they have identified poison books in their collections. Explore Videos + Lectures The application of scientific research on works of art The Metropolitan Museum of Art Part of the World Science Festival held in New York City from May 28--June 1, 2008, the afternoon program explores the fascinating relationship between science and art. World-renowned scientists, including researchers from the Met and from Harvard University, a Nobel Laureate chemist, and a physicist, give talks concerning the application of scientific research on works of art. Marco Leona, David H. Koch Scientist in Charge, Department of Scientific Research, The Metropolitan Museum of Art, introduces the program. Explore Videos + Lectures The best explanation of radiocarbon (C14) dating A small clip from Laura Hendrik's ABM Seminar Series event "Compound Specific Radiocarbon (14C) Dating of Our Colorful Past: from Theory to Practice" recorded in April 2023 and widely praised by our members as "the best explanation of radiocarbon dating they have heard." Explore Videos + Lectures The daguerreotype Library of Congress Tracing the history of the daguerreotype from Paris to Philadelphia, this lecture explores the various improvements made to Daguerre's process and the ways in which it was used, examines the importance of Robert Cornelius as an American photographer, explains the history and ethics of conservation treatment and expands upon why conservation science-based research is necessary for the long-term preservation of our earliest national photographic treasures. Explore Videos + Lectures The nature of color in Japanese painting and prints Japanese Art Society This two-part series explores the nature of color in Japanese painting and prints. Renowned scientist and head of the Scientific Laboratory of The Metropolitan Museum of Art, Marco Leona, shares the studies of his department and collaborations with art historians and curators... Explore Videos + Lectures The sol-gel method The Institute of Conservation (ICON) This talk looks at the sol-gel method. This is a chemical process for the synthesis of inorganic or hybrid ceramic materials. Thanks to this technology it is possible to create several oxides with different structures (nanoparticles, micro and nano-coatings, dense layers, fibres, etc). The talk is being given by Michelle Cecchin of SILTEA. They are an Italian company specialized in sol-gel materials applied to Cultural Heritage... Explore Videos + Lectures